Become a Patron!

Here are some of the artists we are helping "Look for Europe in 2019 "

A full integrated conventional and digital media promotion service for the independently minded musician.

Become a Patron!

Flyinshoes Review

Welcome to FSR our Roots Music Reviewers & Pod/broadcasters Community

If you haven’t hosted a House Concert yet, please make it a new year’s resolution!

Why not invite your favourite independent musician to play for your friends family and his fans in your front room, I’ll be surprised if he/she won’t show up sometime this year and play for you, let me know about it and if The Medicine Show Radio Moose Mobile is loose is near enough we’ll come and broadcast it too. If you would like to help keep the wheels on the Hub and on The Moose become a patron at

www.patreon.com/moosemobile

Happy Hosting, Happy New Year - Rob Ellen

 

www.redhookrapids.com

Red Hook Rapids is the duo that was born during the recording of Ally MacLeod's wonderful solo album, Astor Place. I guess it was their shared devotion to a particular strand of American music that brought them together and resulted in this, their first album. It’s a hybrid of British and American music that is unique to these guys, their folk voices fusing with some country-influenced stylings and a romantic fascination with American landscapes. This being their first album together, it’s maybe not surprising that it feels like we have two halves that haven’t quite meshed yet. Only one of the twelve songs is a co-write; Donald Forbes contributes six and Ally MacLeod has five of her own songs. The fact that they resisted the temptation to include even a single cover is testament to their justifiable faith in their own material.

With Donald Forbes sitting in the engineer’s chair, playing lead guitar and taking the lead vocal on his own songs, his part in this project is pretty immense; I have to say that his guitar playing and arrangements bring a surprising amount of beef to songs that originate in an acoustic duo format. Sometimes, as on his own song Thanxalot, nothing much is added to the core sound but the fuller arrangements to be found on songs like Miss Fortune and Tennessee Bound sound really good. Drumming that is sensitive to the vibe of the song, some beautiful electric guitar and fine fiddling from Pete Robertson all make for a production job that sounds just right.

There is a strong contrast between the two voices here; whilst Donald’s voice has a slightly keening folk quality to it, Ally’s is warm, authoritative and immensely strong. Sometimes the juxtaposition can seem a little jarring and on their one co-write, Holding My Breath, they’ve worked hard on finding a way to mesh their voices together as they weave together around the melody. It’s a really beautiful, romantic song - it sounds like something Kiki Dee might have recorded around the time of Amoreuse – and you can hear that they’re getting close to something really good. To an extent it seems they’ve played around on this record, just for the fun of it, and all sorts of influences and echoes pop up. I’m not at all keen on the reggae-lite of Doesn’t Mean a Ting, but the guitar-picking that drives along IDAHAT is great fun, and the guitar-twang echo on Demons hints at a new genre, rockabilly-noir.

As on Astor Place however, Ally MacLeod’s singing stands out a country mile as one of the most astonishing things you’ll ever hear. As the old saw goes, she could sing the phone directory and make it sound good, because she brings richness of meaning to every phrase she sings. Whether she’s singing something that could be intensely personal (Demons) or one of her trips through the America of her memory/imagination, you believe every word like it’s come down from the mountain on tablets of stone. And when she cuts loose and really delivers the power in that voice, well… just check out the closing lines of Fortune Cookie. The power develops as the song progresses and there is just so much in that one long note when she’s going to “put the woorrrld to rights”, it’ll take your breath away. At the moment, it’s a tie between this song and Out of the Dark as my favourite on the album. Whereas Fortune Cookie features Ally’s singing at its most thrilling, Out of the Dark is a really powerful song, featuring a richly eloquent guitar accompaniment from Donald Forbes.

You feel that these guys are like a spring that’s been coiled for a long time and that finally they have a chance to put all that pent-up musical energy down on disc. Long may they run…

 

John Davy

Views: 150

Add a Comment

You need to be a member of Flyinshoes Review to add comments!

Join Flyinshoes Review

About

Keep the wheels on the hub

Become a Patron!

Would like to contribute to FSR and the House Concert Hub? Please help keep the wheels on the hub, this site is run on House Concert Principles and relies on your donation. Thank You for keeping this in mind

 Twitter



Youtube



https://open.spotify.com/embed/user/medicinemusic/playlist/6tI6eMaE5D7b5QZ0eCjmLb

Face Book

The Medicine Show is the home of the House Concert here is our rolling news

 

This site is the sister site to The House Concert Hub community and has been inherited in the main by kind donation of Shaun Belcher and Trailer Star.

It is the sum total of over ten years of tending a tender love of music by Shaun, a life time with Trailer Star and five or so years of an association with Rob Ellen from Medicine Music.

The House Concert Hub community will use it for the purpose of providing a online, all singing all dancing, review and preview area for the music of the community, and the music community at large. Have a look around tell your friends use the share button, tell the world.

We need reviewers, the idea is we have a correspondents in every area of the musical global village, it will be edited and co-ordinated by Rob Ellen of Medicine Music publicist promoter and presenter, if you wish to subscribe as a correspondent, join up here and drop Rob a line, he will send you cd's and send you to shows, display and publicise your content.

Here starts an other adventure.

  Visit The House Concert European Hub (& Acoustic Music Club Network)

 

 


1 1 108
HAYES CARLL / What It Is / Dualtone *MM, *SZ
2 -- 66
DANNY SCHMIDT / Standard Deviation / Live Once Records *JJ, *HdB,
*TK, *AN, *GS, *MF, *SP
3 2 53
PHIL LEE / The Horse He Rode In On / Palookaville Records *MP,
*PvG, *ME
4 -- 49
MERCY JOHN / Let It Go Easy / Butler *LK, *JD
5 3 45
THE DELINES/ Imperial / El Cortez *FSch
6 4 44
VICKY EMERSON / Steady Heart / Independent
7 -- 42
RYAN BINGHAM / American Love Song / Thirty Tigers *HB
8 6 36
SUZANNE JARVIE / In The Clear / Wolfe Island *CRS
9 24 35
KALYN FAY / Good Company / Horton *JV, *JBo
11 35
MANDOLIN ORANGE / Tides of a Teardrop / Yep Roc Records
11 -- 34
VARIOUS / Songs of Our Native Daughters / Smithsonian Folkways
*FCe, *PJ, *PK
12 8 28
TINY LEGS TIM / Elsewhere Bound / Independent *FB
-- 28
J.S. ONDARA / Tales of America / Verve Records *AL, *WV
14 -- 28
MADELEINE ROGER / Cottonwood / Independent *LM
15 -- 24
KIM LENZ / Slowly Speeding / Blue Star *MvP
-- 24
LILY & MADELEINE / Canterbury Girls / New West *TJ
17 12 23
LEYLA McCALLA / Capitalist Blues / Jazz Village *DH, *BH
18 -- 22
ETHAN JOHNS with The Black Eyed Dogs, Anamnesis, Three
Crows/Proper *RK, *JB
-- 22
LONG RYDERS / Psychedelic Country Soul / Cherry Red Records *JS
20 5 19
LULA WILES / What Will We Do / Smithsonian Folkways
21 -- 18
YOUNG VALLEY / Young Valley / Dial Back Sound *DHo, *CvL
-- 18
KERRI POWERS / Starseeds / Continental
23 -- 17
THE CACTUS BLOSSOMS / Easy Way / Walkie Talkie *KG
24 -- 16
DALE WATSON / Call Me Lucky / Red House *PR
-- 16
MICHAEL McDERMOTT / Orphans / Pauper Sky *JDoel *

© 2019   Created by The Medicine Show.   Powered by

Badges  |  Report an Issue  |  Terms of Service

Site Meter