Flyinshoes Review

Welcome to FSR our Roots Music Reviewers & Pod/broadcasters Community

Here are some of the artists we are helping "Look for America"

A full integrated conventional and digital media promotion service for the independently minded musician.

Become a Patron!

KYLE CAREY —THE ART OF FORGETTING (Riverboat Records / World Music)

www.kyleannecarey.com

Produced by Dirk Powell (key member in Joan Baez and Rhiannon Giddens’ band) in his Breaux Bridge, Louisiana recording studio Kyle Carey’s latest album (her third) has, as expected some fine players and vocalists aid the travelled performer. Once a full-time waitress, the New Hampshire-born Scottish Gaelic inspired performer also has a wonderful understanding of traditional Irish music. Carey actually made her professional debut playing in 2011 in Dingle, Co Kerry. Earlier still after college, she travelled to Cape Breton on a Fulbright Fellowship to study Celtic music. 

Next step taken was for her to spend a year on the Isle of Skye as she studied Scottish Gaelic, intensively with Christine Primrose, and with her now about to turn thirty Carey is still studying. Only now it is how best to use the tones of the former with folk music of America, primarily. The kind influenced by the criss-crossing of the Atlantic from the British Isles up into the Appalachian hills and beyond. Producer Powell’s influence and understanding of the latter is an area she will no doubt have tapped into, and with him playing extensively on the record (bass, fiddle, mandolin, guitar, backing vocals, accordion, banjo and piano) aided by John McCusker (fiddle), Mike McGoldrick (flute), Sam Broussard (guitar), James Mackintosh (percussion), Ron Janssen (Octave mandolin), Kai Welch (trumpet), Josh Scalf (trombone) plus backing vocals from Rhiannon Giddens, Liz Simmons and Gillebride Mac IlleMhaoil Carey’s eclectic combination of work is beautifully presented. 

Carey’s drawing on Gaelic music and Appalachia The Art Of Forgetting is a big project in itself, but to also convert an old American gospel hymn “Down The River To Pray” to Scottish Gaelic, and be inspired by a Child Ballad, Yeats, McNeil, Frost and poems by West Virginian Louise McNeill plus work of Charles Dickens the depth of the record is immense. That is not the end of it, because for one song she checked-out John Hiatt’s Crossing Muddy Water, and she includes a cover of a Scottish mouth music song. Last but not least, she also tenders a version of the Nanci Griffith – Rick West’s composition “Trouble In The Fields”. Phew! At last you can draw breath! Now that is what you call a sizeable undertaking, her producer Dirk and friends from his TransAtlantic Sessions days have together (plus his continued thirst to learn more about traditional music) ensured her work is seen in the best light possible. Powell's work on banjo, piano and fiddle (alongside that of McCusker and McGoldrick) is masterful!     

Among the highlights, and there’s more emerging everyday as the music of this stylish performer melts into my subconscious. Her handling of opening cut “The Art Of Forgetting” reminded me of Natalie Merchant’s artistic style. While Carey’s version of “Siubhail a Ruin” is a sheer delight, and on showing much grace, the gentle fiddle, guitar and flute warmed “Come Back To Me” takes the listener to a heavenly place; and in the moving “Sios Dhan An Abhainn” (“Down To The River To Pray”) she genuinely reaches a great height. Although I would have liked to had more emphasis on the vocals, and more space allowed but my preference isn’t for every one.   

“For Your Journey” is as stripped down tender as they come piece. Performed a cappella style, Carey with support from either or both Mac IlleMhaoil and Simmons produces something most special. You can feel and measure the stillness and beauty.  On displaying more freedom, and yet more grace a song written whilst in Louisiana “Evelyna” powers forth as much imagery is released. Her grasp of Gaelic is outstanding and demonstrated in wonderful fashion by piano warmed ‘mouth song’ “Puirt A Beul”; learnt from the singing of Christine Primrose and Mari MacInnes her performance is mesmerising. As already noted,Carey does a version of “Trouble In The Fields”, and with fiddle, flute and piano, plus harmony vocals accompaniment she does full justice to the iconic composition. 

        Maurice Hope 

Views: 25

Add a Comment

You need to be a member of Flyinshoes Review to add comments!

Join Flyinshoes Review

About

Keep the wheels on the hub

Become a Patron!

Would like to contribute to FSR and the House Concert Hub? Please help keep the wheels on the hub, this site is run on House Concert Principles and relies on your donation. Thank You for keeping this in mind

 Twitter



Youtube



https://open.spotify.com/embed/user/medicinemusic/playlist/6tI6eMaE5D7b5QZ0eCjmLb

Face Book

The Medicine Show is the home of the House Concert here is our rolling news

 

This site is the sister site to The House Concert Hub community and has been inherited in the main by kind donation of Shaun Belcher and Trailer Star.

It is the sum total of over ten years of tending a tender love of music by Shaun, a life time with Trailer Star and five or so years of an association with Rob Ellen from Medicine Music.

The House Concert Hub community will use it for the purpose of providing a online, all singing all dancing, review and preview area for the music of the community, and the music community at large. Have a look around tell your friends use the share button, tell the world.

We need reviewers, the idea is we have a correspondents in every area of the musical global village, it will be edited and co-ordinated by Rob Ellen of Medicine Music publicist promoter and presenter, if you wish to subscribe as a correspondent, join up here and drop Rob a line, he will send you cd's and send you to shows, display and publicise your content.

Here starts an other adventure.

  Visit The House Concert European Hub (& Acoustic Music Club Network)

 

 


www.euroamericanachart.eu

April 2018

1
Courtney Marie Andrews
100 pts.
May Your Kindness Remain
Loose Music
PK,CVL,DHO,JB,LK
2
Mary Gauthier
59 pts.
Rifles And Rosary Beads
In the Black Records
 
3
Caleb Caudle
49 pts.
Crushed Coins
Cornelius Chapel Records
TJ,TK,MP
4
Western Centuries
48 pts.
Songs From The Deluge
Free Dirt Records
DD,GS,FS,HM
5
Vivian Leva
44 pts.
Time is Everything
Free Dirt Records
 
6
Ed Romanoff
42 pts.
The Orphan King
Pinerock Records
 
7
Grant Peeples
41 pts.
Settling Scores vol. 2
Continental
AN
8
Joan Baez
32 pts.
Whistle Down The Wind
Proper Records
 
9
Jeb Barry and the Pawn Shop Saints
29 pts.
Texas, etc...
DollyRocker
MF,HDB
 
Sam Morrow
29 pts.
Concrete and Mud
Forty Below Records
JV
11
Chris Smither
27 pts.
Call Me Lucky
Signature Sounds
JSM,JD
12
Michael McDermott
26 pts.
Out From Under
Continental Song City
CRS
13
John Prine
24 pts.
The Tree of Forgiveness
Oh Boy Records
SP
14
Mary Chapin Carpenter
23 pts.
Sometimes Just The Sky
Lambent Light Records
 
15
Dean Owens
22 pts.
Southern Wind
At The Helm
PJ
16
6 String Drag
21 pts.
Top of The World
Schoolkids Records
FCE,JS
 
Haley Heynderickx
21 pts.
I Need To Start A Garden
Mama Bird Recordings
 
 
Nathaniel Rateliff & The Night Sweats
21 pts.
Tearing At The Seams
Stax Records
RM
19
Abe Partridge
20 pts.
Cotton Fields And Blood For Days
Skate Mountain
MVP,RK
 
Adam James Sorensen
20 pts.
Dust Cloud Refrain
Continental Song City
BM
 
Ben Reel
20 pts.
Land Of Escape
B REEL Records
 
 
Chip Taylor
20 pts.
Fix Your Words
Train Wreck Records
LM
 
Kesia Nagata
20 pts.
Looking For Horses
Caramal Productions
GC,EZ
 
Sheesham & Lotus & 'Son
20 pts.
Clear The Table
SepiaPhone Records
SZ,PG
25
3hattrio
18 pts.
Lord of the Desert
Okehdokee Records
 
 
Marlon Williams
18 pts.
Make Way for Love
Dead Oceans

© 2018   Created by The Medicine Show.   Powered by

Badges  |  Report an Issue  |  Terms of Service

Site Meter