February 4 2018 is the 1st International House Concert Day, The European House Concert Hub and FSR are celebrating by organising the 1st International House Concert Festival. Talk to Rob Ellen if you would like to be involved.
Here are some of the artists we are helping "Look for America"
A full integrated conventional and digital media promotion service for the independently minded musician.
I was actually itching to play the previous Krista Detor album when this new one arrived in the post. There’s a unique quality to her music making, a combination of voice, imagery and piano-based arrangements that add up to a warm, rich aural experience not quite like anyone else I can think of. This music makes for an escapism that carries you off into a dreamy sort of world where there are no sharp edges to jag you. It’s four years since the last album but she’s back with a cracker, packed full of music that intrigues and seduces, with layer after layer of gorgeous detail to be uncovered by repeated listening.
A large team of collaborators and an enormous amount of care has gone into producing Flat Earth Diary; Krista says she calls it her bass album, given that there are no fewer than six different bass players appearing. Certainly, warm resonating bass notes fit her sound very well; her voice is a little lower than most women singers you hear and she uses close harmonies quite a lot to enhance the warmth she naturally produces. The most telling moments are sometimes the quietest and there are many times across this album where the world seems to stop breathing for a few seconds as she draws the beauty out of a few simple notes. To listen to music that can embrace that simplicity and then glide into something multi-textured and complex is pretty wonderful. Track 1, Ferryman’s Dream, takes us straight into that multi-textured beauty; piano, voices, strings, guitar and gorgeously sinuous bass weave around each other in an elegant dance that gently seduces us before leaving us with our focus back on the singer and her song. There are plenty of gentle hooks scattered across this album, more than I can remember in her previous work, but these are hooks that are elegant and playful, not really the kind of thing that’ll get you airplay on EarwormFM.
There’s certainly a playfulness about the songs here; bits of wordplay, all sorts of cultural references lightly alluded to, and, broadly, a kind of optimism. Quite a lot of these songs seem to be about second chances, starting over again in life and trying something new and there’s frequently a smile in her voice as if she feels pretty rejuvenated herself. The lyrics are packed full of ideas and images in a way that leaves you free to latch onto a line that particularly resonates or to work at getting to the bottom of the story that she is telling. Either way, there’s lots to love in this work. Play it soft and enjoy the soothing balm of her music; turn it up and revel in every last detail of a masterly production. She’s over in Europe this month, touring in the UK from the end of April into May – her excellent website will tell you all.
Add a Comment