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James Hyland and the Joint Chiefs: Celestial Navigations

                   The release of a new single, Place I Call Home, is an excuse to look back at the album it’s lifted from and to celebrate a quite beautiful piece of music-making. Call it country, call it folk, call it Americana – we slap these labels on to give ourselves a clue as to what we’re about to hear but none of that matters when you’ve got songwriting and playing as literate as this. James Hyland had ten years as the front man with the South Austin Jug Band who developed a devoted audience for their high quality music making. When that came to the end of the road he kind of went back to the solo career he was meant to be working on, and this album is the first result of that fresh start. “Solo album” is, of course, a ridiculous notion even in the context of one voice and one guitar. If, like James Hyland, you surround yourself with players of the highest order such as Kim Deschamps, Chip Dolan and Warren Hood (all names I’ve come to welcome when they appear on album sleeves), then the front man becomes just one part of something that adds up to considerably more than the sum of its parts.

                  The opening track here, Medicine Man, is an absolute stunner. The lyric takes the viewpoint of the marijuana farmer, forever running the risk of a raid from the DEA. It’s a nuanced song, taking a political stance about marijuana for sure, but also getting beyond simplistic polemic or romanticisation. For instance, he makes the point that many pot growers are against legalisation because they have a cultural antipathy to the business ending up in the hands of Big Tobacco. Lyric aside, the music is glorious: the rhythm comes like a slow wave, James’ voice is plaintively mournful and the bass slithers sinuously until it touches some core emotion. Solo sections from violin, pedal steel and guitar weave into the music seamlessly, with the acoustic guitar solo being particularly intense – it’s the intensity of a quiet person whose few words always carry a lot of meaning, and you feel kind of wrung dry when you get to the end of this song.

              The rest of the album is lighter in mood; songs about love, about life on the road and about his homeland (the beautiful Low Country Sound) all have a sweetness undercut by the inherent wry sadness you can hear in James’ voice and by intelligent lyric writing that addresses the muddled complexity of life. I love the line in Come To Me where he’s trying to attract the attention of someone new; he’s been burnt before, it seems, and he sings “I’ve been on my own so long/ There’s been no-one to betray (long pause) me”.

             James Hyland’s voice and his writing are both great, of a quality that has you itching to track down everything he’s done, but if there’s one thing that really has me drooling here, it’s the presence of Kim Deschamps and his pedal steel. James Hyland clearly loves the sound as much as I do and Kim plays it with a strong sense of all the history of the instrument, evoking memories every time he appears. There’s a wonderful moment at the start of Lancelot and the Lady of Shallot, where the pedal steel comes in loud and swooping – it sounds to me like a knowing reference to old country clichés, rescued from cheesiness by its sense of irony. And if he didn’t mean it that way, I don’t care, it sounds great, anyway.  Two old bandmates from the SAJB, Willie Pipkin (electric guitar) and Dennis Ludiker (fiddle) also play a huge part in making this a really good album, the work of a bunch of musicians who really know how to make music together.  

John Davy

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1
Rod Picott
70 pts.
Out Past The Wires
Welding Rod Music
GC,AN,LM,SZ,TK
2
JW Roy & The Royal Family
62 pts.
A Room Full Of Strangers
Royal Family Records
EM,PJ,DH
3
Steph Cameron
61 pts.
Daybreak over Jackson Street
Pheromona
ML
4
JD McPherson
54 pts.
Undivided Heart & Soul
New West
AR,RK,LK
5
Sarah Morris
53 pts.
Hearts In Need Of Repair
Independent
 
6
Turnpike Troubadours
52 pts.
Long Away From Your Heart
Bossier City Records
MA,GF
7
Chris Hillman
51 pts.
Bidin' My Time
Rounder
 
8
Hayward Williams
39 pts.
Pretenders
Why River Records
KG,JB,JBO
9
Joe Henry
38 pts.
Thrum
Ear Music
 
10
Jim White
37 pts.
Waffles, Triangles & Jesus
Loose Music
JJ
12
Margo Price
35 pts.
All American Made
Third Man Records
 
11
Mark Martyre
35 pts.
Rivers
Independent
MF
13
Mavis Staples
32 pts.
If All I Was Was Black
Anti
HO
 
Peter Oren
32 pts.
Anthropocene
Western Vinyl
RB,HB
15
Fred Wickham
29 pts.
Mariosa Delta
Thirty Days Records
 
16
Jeffrey Martin
27 pts.
One Go Around
Fluff & Gravy Records
HDB
17
Blitzen Trapper
25 pts.
Wild and Reckless
Lojinx
JDO
 
Jeff Crosby
25 pts.
Postcards From Magdalena
At The Helm Records
FCE,FC,JS
19
Dori Freeman
24 pts.
Letters Never Read
Blue Hens Music
 
 
Hardpan
24 pts.
Hardpan
Blue Rose Records
WR
21
The Deep Dark Woods
21 pts.
Yarrow
Six Shooter
JF
22
Lilly Hiatt
20 pts.
Trinity Lane
New West
TJ
 
Tom Russell
20 pts.
Folk Hotel
Frontera Records-Proper Records
JAB
24
Eilen Jewell
19 pts.
Down Hearted Blues
Signature Sounds
MW
25
Dick LeMasters
18 pts.
Incompatible Things
Longneck Road Music
FS

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