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James Hyland and the Joint Chiefs: Celestial Navigations

                   The release of a new single, Place I Call Home, is an excuse to look back at the album it’s lifted from and to celebrate a quite beautiful piece of music-making. Call it country, call it folk, call it Americana – we slap these labels on to give ourselves a clue as to what we’re about to hear but none of that matters when you’ve got songwriting and playing as literate as this. James Hyland had ten years as the front man with the South Austin Jug Band who developed a devoted audience for their high quality music making. When that came to the end of the road he kind of went back to the solo career he was meant to be working on, and this album is the first result of that fresh start. “Solo album” is, of course, a ridiculous notion even in the context of one voice and one guitar. If, like James Hyland, you surround yourself with players of the highest order such as Kim Deschamps, Chip Dolan and Warren Hood (all names I’ve come to welcome when they appear on album sleeves), then the front man becomes just one part of something that adds up to considerably more than the sum of its parts.

                  The opening track here, Medicine Man, is an absolute stunner. The lyric takes the viewpoint of the marijuana farmer, forever running the risk of a raid from the DEA. It’s a nuanced song, taking a political stance about marijuana for sure, but also getting beyond simplistic polemic or romanticisation. For instance, he makes the point that many pot growers are against legalisation because they have a cultural antipathy to the business ending up in the hands of Big Tobacco. Lyric aside, the music is glorious: the rhythm comes like a slow wave, James’ voice is plaintively mournful and the bass slithers sinuously until it touches some core emotion. Solo sections from violin, pedal steel and guitar weave into the music seamlessly, with the acoustic guitar solo being particularly intense – it’s the intensity of a quiet person whose few words always carry a lot of meaning, and you feel kind of wrung dry when you get to the end of this song.

              The rest of the album is lighter in mood; songs about love, about life on the road and about his homeland (the beautiful Low Country Sound) all have a sweetness undercut by the inherent wry sadness you can hear in James’ voice and by intelligent lyric writing that addresses the muddled complexity of life. I love the line in Come To Me where he’s trying to attract the attention of someone new; he’s been burnt before, it seems, and he sings “I’ve been on my own so long/ There’s been no-one to betray (long pause) me”.

             James Hyland’s voice and his writing are both great, of a quality that has you itching to track down everything he’s done, but if there’s one thing that really has me drooling here, it’s the presence of Kim Deschamps and his pedal steel. James Hyland clearly loves the sound as much as I do and Kim plays it with a strong sense of all the history of the instrument, evoking memories every time he appears. There’s a wonderful moment at the start of Lancelot and the Lady of Shallot, where the pedal steel comes in loud and swooping – it sounds to me like a knowing reference to old country clichés, rescued from cheesiness by its sense of irony. And if he didn’t mean it that way, I don’t care, it sounds great, anyway.  Two old bandmates from the SAJB, Willie Pipkin (electric guitar) and Dennis Ludiker (fiddle) also play a huge part in making this a really good album, the work of a bunch of musicians who really know how to make music together.  

John Davy

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April 2018

1
Courtney Marie Andrews
100 pts.
May Your Kindness Remain
Loose Music
PK,CVL,DHO,JB,LK
2
Mary Gauthier
59 pts.
Rifles And Rosary Beads
In the Black Records
 
3
Caleb Caudle
49 pts.
Crushed Coins
Cornelius Chapel Records
TJ,TK,MP
4
Western Centuries
48 pts.
Songs From The Deluge
Free Dirt Records
DD,GS,FS,HM
5
Vivian Leva
44 pts.
Time is Everything
Free Dirt Records
 
6
Ed Romanoff
42 pts.
The Orphan King
Pinerock Records
 
7
Grant Peeples
41 pts.
Settling Scores vol. 2
Continental
AN
8
Joan Baez
32 pts.
Whistle Down The Wind
Proper Records
 
9
Jeb Barry and the Pawn Shop Saints
29 pts.
Texas, etc...
DollyRocker
MF,HDB
 
Sam Morrow
29 pts.
Concrete and Mud
Forty Below Records
JV
11
Chris Smither
27 pts.
Call Me Lucky
Signature Sounds
JSM,JD
12
Michael McDermott
26 pts.
Out From Under
Continental Song City
CRS
13
John Prine
24 pts.
The Tree of Forgiveness
Oh Boy Records
SP
14
Mary Chapin Carpenter
23 pts.
Sometimes Just The Sky
Lambent Light Records
 
15
Dean Owens
22 pts.
Southern Wind
At The Helm
PJ
16
6 String Drag
21 pts.
Top of The World
Schoolkids Records
FCE,JS
 
Haley Heynderickx
21 pts.
I Need To Start A Garden
Mama Bird Recordings
 
 
Nathaniel Rateliff & The Night Sweats
21 pts.
Tearing At The Seams
Stax Records
RM
19
Abe Partridge
20 pts.
Cotton Fields And Blood For Days
Skate Mountain
MVP,RK
 
Adam James Sorensen
20 pts.
Dust Cloud Refrain
Continental Song City
BM
 
Ben Reel
20 pts.
Land Of Escape
B REEL Records
 
 
Chip Taylor
20 pts.
Fix Your Words
Train Wreck Records
LM
 
Kesia Nagata
20 pts.
Looking For Horses
Caramal Productions
GC,EZ
 
Sheesham & Lotus & 'Son
20 pts.
Clear The Table
SepiaPhone Records
SZ,PG
25
3hattrio
18 pts.
Lord of the Desert
Okehdokee Records
 
 
Marlon Williams
18 pts.
Make Way for Love
Dead Oceans

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