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James Hyland and the Joint Chiefs: Celestial Navigations

                   The release of a new single, Place I Call Home, is an excuse to look back at the album it’s lifted from and to celebrate a quite beautiful piece of music-making. Call it country, call it folk, call it Americana – we slap these labels on to give ourselves a clue as to what we’re about to hear but none of that matters when you’ve got songwriting and playing as literate as this. James Hyland had ten years as the front man with the South Austin Jug Band who developed a devoted audience for their high quality music making. When that came to the end of the road he kind of went back to the solo career he was meant to be working on, and this album is the first result of that fresh start. “Solo album” is, of course, a ridiculous notion even in the context of one voice and one guitar. If, like James Hyland, you surround yourself with players of the highest order such as Kim Deschamps, Chip Dolan and Warren Hood (all names I’ve come to welcome when they appear on album sleeves), then the front man becomes just one part of something that adds up to considerably more than the sum of its parts.

                  The opening track here, Medicine Man, is an absolute stunner. The lyric takes the viewpoint of the marijuana farmer, forever running the risk of a raid from the DEA. It’s a nuanced song, taking a political stance about marijuana for sure, but also getting beyond simplistic polemic or romanticisation. For instance, he makes the point that many pot growers are against legalisation because they have a cultural antipathy to the business ending up in the hands of Big Tobacco. Lyric aside, the music is glorious: the rhythm comes like a slow wave, James’ voice is plaintively mournful and the bass slithers sinuously until it touches some core emotion. Solo sections from violin, pedal steel and guitar weave into the music seamlessly, with the acoustic guitar solo being particularly intense – it’s the intensity of a quiet person whose few words always carry a lot of meaning, and you feel kind of wrung dry when you get to the end of this song.

              The rest of the album is lighter in mood; songs about love, about life on the road and about his homeland (the beautiful Low Country Sound) all have a sweetness undercut by the inherent wry sadness you can hear in James’ voice and by intelligent lyric writing that addresses the muddled complexity of life. I love the line in Come To Me where he’s trying to attract the attention of someone new; he’s been burnt before, it seems, and he sings “I’ve been on my own so long/ There’s been no-one to betray (long pause) me”.

             James Hyland’s voice and his writing are both great, of a quality that has you itching to track down everything he’s done, but if there’s one thing that really has me drooling here, it’s the presence of Kim Deschamps and his pedal steel. James Hyland clearly loves the sound as much as I do and Kim plays it with a strong sense of all the history of the instrument, evoking memories every time he appears. There’s a wonderful moment at the start of Lancelot and the Lady of Shallot, where the pedal steel comes in loud and swooping – it sounds to me like a knowing reference to old country clichés, rescued from cheesiness by its sense of irony. And if he didn’t mean it that way, I don’t care, it sounds great, anyway.  Two old bandmates from the SAJB, Willie Pipkin (electric guitar) and Dennis Ludiker (fiddle) also play a huge part in making this a really good album, the work of a bunch of musicians who really know how to make music together.  

John Davy

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July 2018
1
American Aquarium
93 pts.
Things Change
New West
BK,TJ,JB
2
Gretchen Peters
56 pts.
Dancing With The Beast
Proper Records
ML,GF
3
Patrick Sweany
51 pts.
Ancient Noise
Nine Mile Records
FC,RK,BM,CVL,TK
4
Dave Alvin & Jimmie Dale Gilmore
47 pts.
Downey To Lubbock
Yep Roc
SP,JBO,JJC
5
Melissa Carper & Rebecca Patek
34 pts.
Brand New Old-Time Songs
Independent
 
6
Ry Cooder
33 pts.
The Prodigal Son
Perro Verde Records
DH
7
Jenny van West
32 pts.
Happiness To Burn
Independent
RST,NC
8
Brooks Williams
30 pts.
Lucky Star
Red Guitar Blue Music
 
9
Levi Parham
29 pts.
It's All Good
Continental Records
 
10
I See Hawks in LA
26 pts.
Live and Never Learn
Western Seed Records
WR
11
Rory Block
25 pts.
A Woman's Soul
Stoneyplain Records
MB,AL
12
Phil Cook
24 pts.
People Are My Drug
Thirty Tigers
LK,JD
13
Mike Aiken
23 pts.
Wayward Troubadour
Northwind Records
BP
14
Karen Jonas
22 pts.
Butter
Independent
HVB
15
Buckley
21 pts.
Las Cruzes
Rum Bar Records
 
 
John Prine
21 pts.
The Tree of Forgiveness
Oh Boy Records
 
17
Neko Case
20 pts.
Hell-on
Anti Epitha
MW
 
Sam Lewis
20 pts.
Loversity
Loversity Records
HDB
 
Verbraak Van Bijnen
20 pts.
Endless Road
CRS
HH,TV
20
Jesse Dayton
19 pts.
The Outsider
Blue Elan
LM,SZ
21
Dieter van der Westen Band
18 pts.
Me and You
Independent
 
 
Hadley McCall Thackston
18 pts.
Hadley McCall Thackston
Wolfe Island Records
CRS
 
Willie Nelson
18 pts.
Last Man Standing
Legacy
 
24
Carter Sampson
17 pts.
Lucky
Continental Song City
 
 
Tami Neilson
17 pts.
SassaFrass!
Outside Music

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