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Flyinshoes Review

Welcome to FSR our Roots Music Reviewers & Pod/broadcasters Community

If you haven’t hosted a House Concert yet, please make it a new year’s resolution!

Why not invite your favourite independent musician to play for your friends family and his fans in your front room, I’ll be surprised if he/she won’t show up sometime this year and play for you, let me know about it and if The Medicine Show Radio Moose Mobile is loose is near enough we’ll come and broadcast it too. If you would like to help keep the wheels on the Hub and on The Moose become a patron at

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Immediately I placed this cd on my player I was energised by Donald Byron Wheatley’s music. Fuelled by a rock solid rhythm section, piano, swirling organ, lead guitar and pedal steel guitar (BJ Cole), there is a buzz throughout. On welding slices of 1970s sounds of The Band, Bob Dylan and the rock he comes up with a tapestry enriched in the above textures and more. Maiden Voyage label boss Danny (Danny And The Champions) has members of his band, Chris Clarke (the album was recorded at his Reservoir Studios), Steve Brookes, Andy Fairclough and harmony vocalist Siobhan Parr (a recording act in her own right) all pitch in. 


“Ten Dollar Jenny” has all the trappings of the aforementioned Dylan, his hero, alongside The Band and music of the era. One of Dylan's finest periods I hasten to add, but there is more to the London-born act. Making a late venture into recorded music, he more than simply combines sounds from the past as he also comes through strong with “When The Rain Comes”; a piece of writing and music Nick Lowe might have done! Warmed in Cole’s finest tones it is a most fine effort. “The Lonesome Carol Of Big Don” and “Hand Me Down Leopard Skin Hat” also owe much to Dylan. Propelled, feverishly, as much of his 1970s work was as lyrics came at a rapid pace and the songs seemed endless, and they were good too. As is the case here with Wheatley. 


Mellow, with hints of John Lennon and George Harrison “Nothing” is warmed in keyboards and shuffling rhythm to gently wash over the listener. On bringing a little barroom ragtime-esque New Orleans feel to the album, “Swaley Howell” adds some well-timed versatility. “Greenwich Village Blues” likewise offers something different as he takes a trip across the pond to New York on recalling the days of a bygone era. He pulls it off superbly. The folk bards of the 1960s big folk scare would, if still around (some of course are) be duly proud of his sterling effort.  


Title-track “Moondogs And Mad Dogs” closes up shop, and with it of a similar heartbeat to Dylan he once again draws from the leader as with much energy rock and folk meet. The swirling organ and pedal steel have a field day without eroding the value of Wheatley’s vocals, and here lies one of the secrets of the recording, the ever tasty production! 


                                                 Maurice Hope  

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The Medicine Show is the home of the House Concert here is our rolling news


This site is the sister site to The House Concert Hub community and has been inherited in the main by kind donation of Shaun Belcher and Trailer Star.

It is the sum total of over ten years of tending a tender love of music by Shaun, a life time with Trailer Star and five or so years of an association with Rob Ellen from Medicine Music.

The House Concert Hub community will use it for the purpose of providing a online, all singing all dancing, review and preview area for the music of the community, and the music community at large. Have a look around tell your friends use the share button, tell the world.

We need reviewers, the idea is we have a correspondents in every area of the musical global village, it will be edited and co-ordinated by Rob Ellen of Medicine Music publicist promoter and presenter, if you wish to subscribe as a correspondent, join up here and drop Rob a line, he will send you cd's and send you to shows, display and publicise your content.

Here starts an other adventure.

  Visit The House Concert European Hub (& Acoustic Music Club Network)



1 1 108
HAYES CARLL / What It Is / Dualtone *MM, *SZ
2 -- 66
DANNY SCHMIDT / Standard Deviation / Live Once Records *JJ, *HdB,
*TK, *AN, *GS, *MF, *SP
3 2 53
PHIL LEE / The Horse He Rode In On / Palookaville Records *MP,
*PvG, *ME
4 -- 49
MERCY JOHN / Let It Go Easy / Butler *LK, *JD
5 3 45
THE DELINES/ Imperial / El Cortez *FSch
6 4 44
VICKY EMERSON / Steady Heart / Independent
7 -- 42
RYAN BINGHAM / American Love Song / Thirty Tigers *HB
8 6 36
SUZANNE JARVIE / In The Clear / Wolfe Island *CRS
9 24 35
KALYN FAY / Good Company / Horton *JV, *JBo
11 35
MANDOLIN ORANGE / Tides of a Teardrop / Yep Roc Records
11 -- 34
VARIOUS / Songs of Our Native Daughters / Smithsonian Folkways
*FCe, *PJ, *PK
12 8 28
TINY LEGS TIM / Elsewhere Bound / Independent *FB
-- 28
J.S. ONDARA / Tales of America / Verve Records *AL, *WV
14 -- 28
MADELEINE ROGER / Cottonwood / Independent *LM
15 -- 24
KIM LENZ / Slowly Speeding / Blue Star *MvP
-- 24
LILY & MADELEINE / Canterbury Girls / New West *TJ
17 12 23
LEYLA McCALLA / Capitalist Blues / Jazz Village *DH, *BH
18 -- 22
ETHAN JOHNS with The Black Eyed Dogs, Anamnesis, Three
Crows/Proper *RK, *JB
-- 22
LONG RYDERS / Psychedelic Country Soul / Cherry Red Records *JS
20 5 19
LULA WILES / What Will We Do / Smithsonian Folkways
21 -- 18
YOUNG VALLEY / Young Valley / Dial Back Sound *DHo, *CvL
-- 18
KERRI POWERS / Starseeds / Continental
23 -- 17
THE CACTUS BLOSSOMS / Easy Way / Walkie Talkie *KG
24 -- 16
DALE WATSON / Call Me Lucky / Red House *PR
-- 16
MICHAEL McDERMOTT / Orphans / Pauper Sky *JDoel *

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