Flyinshoes Review

Welcome to FSR our Roots Music Reviewers & Pod/broadcasters Community

FEATURED ARTIST MAY/JUNE

FEATURED ARTIST

http://www.deadrockwest.com

Californian group Dead Rock West are built around Cindy Wasserman and Frank Lee Drennen. They clearly have no intention of being too constrained by a particular style, being happily categorised as Americana, alt-country or roots rock but who cares, anyway? Question is, how good are they? The answer is that they're plenty good enough to be worth checking out and that with this second album they're doing something rather interesting. It seems that the first album was success enough to drive their career for the next couple of years but maybe that success jaded their appetite for what they were doing. So, come the time to go back to recording, they were inspired to make a gospel album, to re-visit some songs which are lurking in most Americans' cultural hinterland. Cindy Wasserman says she wanted to "get back to the simplicity of life by connecting with the source" and, atheist that I am, I can understand what she's getting at there.

         Now there are many strands of what might be called gospel music in its broadest sense but you might expect that a country-rooted music act might delve into the riches to be found in Appalachian music and be content with that. Not so with these guys; Angel Band is in there, for sure, as well as June Carter Cash's Wings Of Angels and Johnny Cash's Ain't No Grave but the core of the album is built around gospel music from the other side of the racial divide: there's two songs from Blind Willie Johnson and the original, spiritual version of This May Be The Last Time that the Stones changed beyond recognition for their early hit.  Three more songs from the spiritual tradition suggest they've searched long and hard for songs that suited their purpose but it's the two songs from outside the tradition that are the eye openers. Peter Case is their producer here and it's his song, co-written with Tom Russell and Bob Neuwirth, that is the only one on the album that isn't explicitly Christian; Beyond The Blues happens to have been a favourite of mine for a while, a song with great dignity that suggests that love is the answer to take us "beyond the blues". It's not specified in the lyric but it's a small assumption to make that it's God's love we're talking about here, so that's why it fits right in amongst this gospel company. The other "outsider" here is The Jesus And Mary Chain's song, God Help Me. In contrast with the strong faith expressed elsewhere, this song is a raw plea for that strength from a man all too aware of his doubt and his sin; the spiritual honesty contained in the lyric is a welcome contrast to those songs which suggest faith always comes easily. There are hints of that struggle in some of the other songs chosen, perhaps most notably in Blind Willie Johnson's song, God Moves On Water, which deals with the sinking of the Titanic. The lyric hints that the disaster was the result of man's presumption but the real purpose of the song is to confront a crisis of faith that comes in the wake of such a disaster.

           So what about the sound that Dead Rock West are making? Well, it doesn't really sound like a gospel album I would say. Angel Band is kept pure and simple, and is the song that most sounds as if it's genuinely imbued with faith.  Otherwise, I'm tempted to characterise the sound as a Californian version of the T-Bone Burnett approach; Ain't No Grave opens the album and is a strong contrast with Johnny Cash's own take on the song. This version is full of youthful defiance and the stirring arrangement is first, or maybe second, cousin to the more forceful sounds to be found on Raising Sand. Generally speaking these performances impress more with their vigour and muscularity than with any soulful spirituality and when the slide guitar on God Moves On The Water develops something of a whirling dervish intensity then it is very much in tune with where these guys are at with this material. There is something compelling about what's happening and my guess is that this will come over more strongly in live performance. There'll be an opportunity to find out because Dead Rock West are heading for Britain in March with the full band in tow. 

John Davy

 

Views: 25

Add a Comment

You need to be a member of Flyinshoes Review to add comments!

Join Flyinshoes Review

About

Keep the wheels on the hub

Americana Boogie Radio

Check out the new Americana Boogie Radio station featuring hand-picked Americana roots music!

The Voice of The Independent Artists

Blues & Roots Radio

The House Concert Hub and FSR are affiliated to Concert Window.

Video-cast your shows here and help fund the hub too. 


Would like to contribute to FSR and the House Concert Hub? Please help keep the wheels on the hub, this site is run on House Concert Principles and relies on your donation. Thank You for keeping this in mind


 Twitter



Youtube



Face Book

The Medicine Show is the home of the House Concert here is our rolling news

 

This site is the sister site to The House Concert Hub community and has been inherited in the main by kind donation of Shaun Belcher and Trailer Star.

It is the sum total of over ten years of tending a tender love of music by Shaun, a life time with Trailer Star and five or so years of an association with Rob Ellen from Medicine Music.

The House Concert Hub community will use it for the purpose of providing a online, all singing all dancing, review and preview area for the music of the community, and the music community at large. Have a look around tell your friends use the share button, tell the world.

We need reviewers, the idea is we have a correspondents in every area of the musical global village, it will be edited and co-ordinated by Rob Ellen of Medicine Music publicist promoter and presenter, if you wish to subscribe as a correspondent, join up here and drop Rob a line, he will send you cd's and send you to shows, display and publicise your content.

Here starts an other adventure.

  Visit The House Concert European Hub (& Acoustic Music Club Network)

 

 


www.euroamericanachart.eu

February 2016

1
Lucinda Williams
104 pts.
The Ghosts Of Highway 20
Highway 20 Records
PV,MOV,PKO,MDW
2
Dylan LeBlanc
82 pts.
Cautionary Tales
Single Lock Records
LK,HB
3
Dori Freeman
71 pts.
Dori Freeman
Free Dirt Records
BH,JAB,SP,DH,ML
4
Buddy Miller & Friends
52 pts.
Cayamo Sessions at Sea
New West Records
JB,AR
5
Southside Johnny & the Asbury Jukes
42 pts.
Soultime!
Leroy Records
PJ
6
Amelia White
39 pts.
Home Sweet Hotel
White Wolf Records
MF,DHO
7
Sam Outlaw
38 pts.
Angeleno
Six Shooter Records
BR
8
Gunther Brown
36 pts.
North Wind
Continental
CRS
9
Matty Charles & Katie Rose
35 pts.
Catching Arrows
1906 Records
SZ,BM,FB
10
Kreg Viesselman
34 pts.
To The Mountain
Continental Song City
KG,JF
11
Eric Brace & Peter Cooper
32 pts.
C&O Canal
Red Beet Records
 
12
Anna Laube
28 pts.
Anna Laube
Ahhh… Pockets!
EM
 
Buford Pope
28 pts.
The Poem & The Rose
Unchained Records
MP,PH,BK
 
David Ramirez
28 pts.
Fables
Thirty Tigers
JD
 
Kate Campbell
28 pts.
The K.O.A.Tapes (Vol. 1)
Large River Records
TJ
16
Cam Penner
22 pts.
Sex & Politics
Independent
LM
17
Donnie Fritts
21 pts.
Oh My Goodness
Single Lock Records
JBO,TK
18
Eleanor Friedberger
19 pts.
New View
French Kiss Records
 
 
John Moreland
19 pts.
High on Tulsa Heat
Thirty Tigers
JDO
 
Peter Cooper
19 pts.
Depot Lights: The Songs Of Eric Taylor
Red Beet
NC
21
Marlon Williams
18 pts.
Marlon Williams
Dead Oceans
FCE
 
Nathan Bell
18 pts.
I Don't Do This For Love, I Do This For Love
Stone Barn Records
 
23
Pilgrim
17 pts.
Easy People
Horton Records
 
24
Bob Margolin
16 pts.
My Road
VizzTone
RK
 
David Berkeley
16 pts.
Cardboard Boat
Straw Man Music

© 2016   Created by The Medicine Show.   Powered by

Badges  |  Report an Issue  |  Terms of Service

Site Meter