Flyinshoes Review

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CARLY PEARCE —EVERY LITTLE THING (Big Machine Records)

 

www.carlypearce.com

www.BigMachineLabelGroup.com

 

 

Kentucky-born, Carly Pearce is a new name on the mainstream country scene, and one who has already topped the Billboard Country charts. From what is on offer here there is more than just a casual suggestion she will do it again and more besides.

 

While there are a number of fine singer-songwriters frequenting the Nashville country scene I was surprised to read, they were presently making zero impact on what has (sadly) become a male dominated Country chart. When she had a top ten hit with “Every Little Thing” she was the only solo female act. Just goes to show how much notice I take of them! Pearce has had to be patient regards gaining her debut album release; it follows five years touring with a local band (from the age of 11 till she was 16), working at Dollywood while being home-schooled and nine years living and playing in Nashville. It was there she honed her trade playing songwriter rounds, and with her bluegrass country roots warmed in modern day Nashville, and singer-songwriter traits you have one Carly Pearce. 

 

Pearce has been generous with her release. In that the album has 13-tracks and with a bunch of co-writers that includes Emily Shackelton, busbee, Shane McNally and Emily Weisband; plus one or two imported songs she has a solid, and at times better than album in “Every little Thing”. Pearce has a fine voice, and when it comes to delivering a song spiced with humour and attitude she raises her game. For here is an artist who if given the right material she will deliver the goods. Among those of note you have the superb, ideal single fodder in “Hide The Wine”, lively piece “Everybody Gonna Talk” and with beautiful poise, story-ballad “If My Name Was Whiskey”. And of course her hit “Every Little Thing”.

 

After some quite average numbers “Doin’ It Right” that mixes a little humour (and banjo) she offers something better, and though “You Know Where To Find Me” evokes greater imagery and her more space to breathe, vocally Pearce needs rather better, and a more sympathetic production for her to realise her full potential.

   

                                                Maurice Hope   

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1
Rod Picott
70 pts.
Out Past The Wires
Welding Rod Music
GC,AN,LM,SZ,TK
2
JW Roy & The Royal Family
62 pts.
A Room Full Of Strangers
Royal Family Records
EM,PJ,DH
3
Steph Cameron
61 pts.
Daybreak over Jackson Street
Pheromona
ML
4
JD McPherson
54 pts.
Undivided Heart & Soul
New West
AR,RK,LK
5
Sarah Morris
53 pts.
Hearts In Need Of Repair
Independent
 
6
Turnpike Troubadours
52 pts.
Long Away From Your Heart
Bossier City Records
MA,GF
7
Chris Hillman
51 pts.
Bidin' My Time
Rounder
 
8
Hayward Williams
39 pts.
Pretenders
Why River Records
KG,JB,JBO
9
Joe Henry
38 pts.
Thrum
Ear Music
 
10
Jim White
37 pts.
Waffles, Triangles & Jesus
Loose Music
JJ
12
Margo Price
35 pts.
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Third Man Records
 
11
Mark Martyre
35 pts.
Rivers
Independent
MF
13
Mavis Staples
32 pts.
If All I Was Was Black
Anti
HO
 
Peter Oren
32 pts.
Anthropocene
Western Vinyl
RB,HB
15
Fred Wickham
29 pts.
Mariosa Delta
Thirty Days Records
 
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Jeffrey Martin
27 pts.
One Go Around
Fluff & Gravy Records
HDB
17
Blitzen Trapper
25 pts.
Wild and Reckless
Lojinx
JDO
 
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25 pts.
Postcards From Magdalena
At The Helm Records
FCE,FC,JS
19
Dori Freeman
24 pts.
Letters Never Read
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Hardpan
24 pts.
Hardpan
Blue Rose Records
WR
21
The Deep Dark Woods
21 pts.
Yarrow
Six Shooter
JF
22
Lilly Hiatt
20 pts.
Trinity Lane
New West
TJ
 
Tom Russell
20 pts.
Folk Hotel
Frontera Records-Proper Records
JAB
24
Eilen Jewell
19 pts.
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MW
25
Dick LeMasters
18 pts.
Incompatible Things
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